I knew in advance that today’s shot would be taken at home in Hebden Bridge, meaning it would become the 2,000th HB shot to feature on here. Knowing also that not a great deal was going to happen on the day I thought I might as well make #HB2000 as typical as possible. Hi to Johnny and Mary therefore, who I see often enough in this spot, particularly in the summer. (In the winter we would be twenty yards to the right, and inside….)
It’s nice when my students can still impress me, and, currently, Keela’s dissertation project is certainly doing that — although I can’t tell you what it is, not for any sinister reasons but just because it’s not finished yet and not my business to tell you. But, yes, it involves virtual reality, she doesn’t wear a rig on a regular basis. I do not believe my office noticeboard has featured before so there you go, a chance to check out the randomly accumulated display of items upon it for the first, and who knows, perhaps the last time.
These curious new black boxes have appeared on most of the telegraph poles round here, perhaps they are installations for the great system of surveillance that has doubtless, by now, permeated every aspect of our lives. Though I suppose I do offer up plenty of information about my whereabouts on a voluntary basis. I doubt I would be happy spending my working life fifteen feet up in the air but presumably he’s used to it.
I have had one of those weekends where I did virtually nothing but still reached the end feeling no more refreshed than I was on Friday afternoon. The Handmade Parade, in all its colour and movement, had been taking place earlier in the day but I do not feel I got a representative picture of it — the day was much more as seen here, kind of soft-focus and dim. The recent run of interiors therefore continues.
Pud (a.k.a. Sean) is definitely the local wizard with this machine. I mean, I try — others try — but Pud wins. Usually. Kind of like Manchester City, maybe not always, but quite a lot.
Joe makes his first appearance on the blog since December. Why this window? Why the post title? This is Doune Castle, and some 51 years ago, in 1974, Michael Palin and Terry Jones were stood by this very window during the filming Monty Python and the Holy Grail; Doune stood in for at least four different castles in the movie. “But mother…..” “Father, lad, father.” “But father….. I don’t want to marry her, I just want to, want to…..” (The ignorant can check out the scene at https://www.youtube.com/watch?v=g3YiPC91QUk)
A stop off on the way north to Dundee. There are various routes available, things not yet seen, including the Great Tapestry, with 160 panels created collectively by over a thousand people between 2012-13. So not as old as this blog, but with more history in it, if you see what I mean. What is seen here is just the first few panels, chronologically. Having toured the country for a while it is now on permanent display in Galashiels, which makes that the 499th different place to feature on here, and number 500 should be along before the week is out, possibly tomorrow.
Judging by the number of ads that covered his pedestal (you see only a small portion of them here), this is what this guy does, full-time. But we all have our social media presence, don’t we.
I don’t care that I haven’t captured him actually picking up the piece. Somehow it works just fine like this, and chess is an intrinsically black-and-white subject matter.
First shot from Manchester since the 6th. Do I really spend so little time there these days? At some yet-to-be-determined date in the future, I will, of course, take my last ever shot from there, not so much the city but from campus more specifically. I will not be working at uni for the rest of my life unless that life ends unexpectedly, and fairly soon. But for now I am still going in. I do not know what this sculpture represents though it has clearly been built from the same stuff, and at the same time, as the building that surrounds the courtyard in which it stands. If I have a favourite place on campus, this is probably it.
Being 42 