Joe’s first appearance since — chainsaw in hand — 4th August. It’s Christmas. It’s time to re-engage.
Re: the title. You do understand Joe is our only child, right? Just checking.
Time for the annual ‘student poster day’ where my charges are tasked with demonstrating what they might have learned over the last few weeks. Some even manage to do this: but I suppose they all try. This is happening nearly a week later than last year, and, definitively, marked my last professional engagement of 2025. As far as the University of Manchester are concerned I now do not exist until 5th January. Let there be celebrations, etc.
On my regular visits to London I have been walking past this statuesque chap since 2016. The sculpture is of Sir Nigel Gresley, designer of the famous Mallard locomotive, which still holds the speed record for a steam locomotive. The statue is about 7 feet high — Sir Nigel wasn’t, though. Apparently, the design was to have originally featured a duck (that is, a mallard) as well as Sir Nige, but this was left off in the end, after, and I quote the Guardian (via Wikipedia) here; “possibly the most acrimonious argument in the long, pedantic history of the railway hobbyist”.
5.15pm on day 5,115 and it’s the start of the 15th year of the blog. All of which is numerologically pleasing but has nothing to do with the shot, and the shot has nothing to do with my birthday as such. As the stormtrooper helmet was there, it got worn by Mark, at least for a short time. Tony looks on in his usual measured fashion.
Going on the visual and auditory evidence on this Friday in August, and the occupancy rates of nearby car parks, I might have been the only person to actually be present for work in the Ellen Wilkinson Building today. It was certainly a quiet one, anyway. I like the patterns on this shot, and a general feeling of monochrome calm.
You could consider this an abstract. Or, a sign that I didn’t particularly leave the house today and so was needing to point the camera at something that could be seen from within it. Or that I’m spying on the neighbours again. Either way, that’s been nearly four weeks at home, and 18 of the last 26 photos in Hebden. Time to go somewhere else for a bit.
These days it’s 8:52 that is my more usual arrival time into Manchester Victoria, on days when I deign to show my face there. Today was early, for me. I had forgotten how much busier it is. Everyone is being sucked towards the ticket gates as if by a tractor beam.
A stop off on the way north to Dundee. There are various routes available, things not yet seen, including the Great Tapestry, with 160 panels created collectively by over a thousand people between 2012-13. So not as old as this blog, but with more history in it, if you see what I mean. What is seen here is just the first few panels, chronologically. Having toured the country for a while it is now on permanent display in Galashiels, which makes that the 499th different place to feature on here, and number 500 should be along before the week is out, possibly tomorrow.
I don’t care that I haven’t captured him actually picking up the piece. Somehow it works just fine like this, and chess is an intrinsically black-and-white subject matter.
This afternoon something about the look of Geri on the other side of the pub made me think ‘white witch’ — which (witch?) is of course a compliment, white witches are the good guys. It was mostly the hair, I think.
Being 42 