Tag Archives: photography

Lecture in Hogwarts

Monday 30th September 2024, 2.00pm (day 4,785)

Rylands lecture, 30/9/24

Another lecture, only this time I am facing front instead of at the front. For several Mondays over the next few months I will be a student again: the subject, you can see for yourself. ‘Hogwarts’ is, in fact, the Historic Reading Room of the John Rylands Library; a spectacular setting for a class, and somehow appropriate (though this was opened in 1901 and is detinitely not a medieval construction). But by next time I hope they’ve turned the heating on. Mr Rylands himself, or his statue, at least, pokes up behind the screen.

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I’m in charge

Sunday 29th September 2024, 12.40pm (day 4,784)

This is definitely my street. You are just passing. I will allow you to take the photograph but after that I dismiss you totally.

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Brighouse, looking ‘modestly magnificent’

Saturday 28th September 2024, 12.40pm (day 4,783)

Brighouse buildings, 28/9/24

Brighouse is modest enough, having never given anything of huge significance to the world (except what is reputed to be one of the world’s best brass bands). But it’s an OK place generally, and to look at. Magnificent? Well…. maybe, in a modest sort of way.

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Tony, in his spot

Friday 27th September 2024, 6.30pm (day 4,782)

Tony, in his spot, 27/9/24

Those of us who drink in particular pubs regularly may or may not have A Spot. I wouldn’t say I do, even in the Railway. I have been found in most of its corners, at one time or another. But Tony is someone who has A Spot, and here he is, in it. If he sat somewhere else we might not recognise him.

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This year’s newbies

Thursday 26th September 2024, 12.40pm (day 4,781)

New students, 26/9/24

For the first time since 13th December last year — I give a lecture in Manchester. Most of the recipients look happy enough at this point (perhaps because I wasn’t talking).

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High-contrast gear

Wednesday 25th September 2024, 10.35am (day 4,780)

On King Street, 25/9/24

One of the rare cases where I tag a photo as ‘black and white‘ but not ‘monochrome‘. I like the generally muted tones of the shot but the high contrast of the dress makes it stand out. And not just for that reason, either. Whatever she’s getting ready for, I hope it’s important.

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Gig crowd (or, the zombie apocalypse)

Tuesday 24th September 2024, 8.55pm (day 4,779)

Zombie crowd, 24/9/24

My mediocre kit is never going to take crystal clear photos in very low light, even if I do crank the ISO setting up to 1600 or whatever. But here, the lack of clarity is just the point. Surely the gentleman to the left is about to emerge from some horrible transformation and begin consuming human flesh. Although in the end, he recovered, and we all got on with watching the evening’s entertainment (Tom McRae, as it happened).

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Market Street

Monday 23rd September 2024, 11.25am (day 4,778)

Back home: from Berlin on a Sunday morning to Hebden Bridge on a Monday one. At least I got out of the house today. This is a standard shot but the comparative lack of traffic was appealing. The sign to top left, less so, but I tried to make it look less obtrusive.

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Friedrichstraße station, Sunday morning

Sunday 22nd September 2024, 7.35am (day 4,777)

Sunday morning, Friedrichstrasse, 22/9/24

This being one of the world’s great party cities, I am sure there were a reasonable number of Berliners who were comfortably still on their Saturday night out at 7.35am: but I will never be a person like that again. Personally, I was on the way to the airport. It’s been a good and potentially transfomative trip.

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The River Spree, at Lübben

Saturday 21st September 2024, 12.20pm (day 4,776)

Spree at Lübben, 21/9/24

Took myself on a day out into the countryside, specifically to the little town of Lübben, which lies about an hour’s train journey south of Berlin, further up the River Spree. Here, the river breaks into a series of creeks and canals, on which, today, a substantial number of tourists were floating around in either a self-propelled manner or on Venice-style gondolas, only piloted by gruff-looking East German types. But let’s go with this person-free shot, instead. One has to be pleased with the colour contrast here.

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